‘Amy’ is a documentary about Amy Winehouse made by Asif
Kapadia, the man who also made one about Ayrton Senna. To do so, he had the
full cooperation of the Winehouse family and this, if nothing else, results in an amazing
collection of archive footage. These clips, many clearly made only
for personal viewing, are extremely revealing and at times uncomfortable to watch. Added
to the footage are the recollections of many of the people who shaped her life
and career.
Her father has openly disowned the film, after he saw
the final cut, saying it wasn’t a good portrayal of his daughter. I
would disagree totally, if anything it paints
Amy Winehouse in too good a light.
It’s everyone else who gets butchered, her father included.
For being a rotten influence on her from the start. From his infidelity during
her youth to his conversion to dotting dad when she gains success and wealth. I
can see why he didn’t like it.
Winehouse is no saint of course but it seems that hardly
anybody is prepared to guide her away from bad influences. Those that try fail
when they come up against the major influence that is Blake Fieldler, the inexplicable
love of her life. It is his relationship with the insecure Winehouse which seems
to be the deadly tipping point in this story.
This is a man who leaves his current girlfriend to be with Winehouse,
then leaves Winehouse to go back to her. Then he switches women again when Winehouse gains
success and wealth. Are you spotting a pattern here?
Unlike her father, this particular hanger-on led her into
hard drugs. Then there’s the press, of course, who relentlessly pursued her.
The contrast between the Amy of the early years up to the
time of her début album ‘Frank’ in 2003 and what comes afterwards, when she hit
the big time with ‘Back to Black’ in 2006, is very pronounced. At that time,
even I was enchanted by the attractive young talent but I quickly lost interest
as her appearance (and life) became more bizarre and she disappeared under the weight of
her tattoos.
This film however restores my original admiration. It shows how
incredibly talented she was and how she made music on her own terms
but what comes over most is how clever and personal her songs
were. Many of her songs were of a highly personal nature with lyrics
sourced from her own, often unpleasant, experiences.
Watching the film is, at times, a macabre experience. The footage
of her final, ill advised, concert in Serbia in 2011 is not easy to watch. Winehouse
is too drunk to be on stage let alone to sing. When she died just a month later
of alcohol poisoning, aged just 27, it had a sad certain inevitability about it.
Her dreadful but popular cover of The Zutons’ ‘Valerie’,
unmentioned in the film itself, accompanies the end credits. Sadly this, rather
than her own stunning compositions, is what she will be remember for by many.
Well recommended.
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