'Me Before You' is an adaptation of the book by Jojo Moyes and it is good to see Moyes also wrote the screenplay. This is so not my type of film and therefore I probably saw things very differently to how its target audience probably did. However, it has to be said that it turned out to be nowhere near as bad as I feared it would be. In fact I quite liked it.
Louisa Clark (Emilia Clarke) lives in a village where
nothing ever happens and nothing ever happens to her but she is very happy with
that level of dullness. She works in the local cafe which somehow enables her
whole family to stay afloat financially, so when she loses that job she
desperately has to find a new one pronto.
This is when she takes up the offer of a six month contract as
nursemaid to a quadriplegic grown up rich kid Will Traynor (Sam Claflin) where
she works alongside his personal nurse and therapist Nathan (Stephen Peacocke).
Prior to his life changing accident Will was once a rugged action
man (you know skiing off cliffs into fiery
pits, that sort of thing) as well as a successful executive who had everything
to live for. Now he feels has everything to die for and has become bitter and
reclusive, turning away his girlfriend (blonde naturally) who then leaves him
for his best friend.
We don’t immediately find out the reason it’s only a six
month contract but it’s soon revealed that he’s promised to give his parents
that much longer of him before he’s off to Dignitas. His accident has ended the
all action life style that defined him and he has no wish to live the rest of
his life as someone he isn't. Therefore his parents had not really been looking
for a nursemaid more a bit of crumpet who might give him something to live for
and change his mind. Enter Louisa.
Unfortunately Louisa, a perpetually silly, perpetually happy
girlie girl with an eclectic wardrobe and eyebrows that never sit still is the
last thing Will thinks he needs and he’s probably right.
Still, she does her best to put up with him mainly because
she needs the job. Eventually though they make a connection, not by Louisa
piercing his hard shell but by him piercing hers by getting her to watch a
subtitled film, something that was previously several million miles outside her
comfort zone.
Soon they are forming a close bond and she convinces his
very rich parents to fund various trips she plans to make him think life is
worth living after all. Putting aside the fact she picks things which are not
in keeping with the all action life style he craves, either because they both
know she can’t recreate it or in the misguided belief that something else might
be as good, I’m not sure.
Many will call this a romance, it isn't, or perhaps all that
malarkey just went right over my head because a pragmatic male like me can’t
really see how she would fall for him in the first place and anyhow, when she
did, he was having none of it. As he tells her near the end, if he could have
done to her all that he wanted to then it might have been different but he
can’t, so it isn’t. This upsets Louisa but she is off message from the start
and doesn't realise that while she’s trying to teach him to enjoy life again
what is really happening is he is teaching her to be more adventurous with her own
life and when he is gone, he hopes his adventurous spirit will live on through
her. They may have started out a world apart but both gradually realize that
what one once possessed, the other now needs.
A few other things don't add up particularly
Louisa's fitness freak boyfriend Patrick (Matthew Lewis), who is portrayed as a
bit of an idiot for wanting her support as a runner/triathlete and wanting to
take her off to Norway with him for an event. It sounds like the famous Norseman to me, which sounds like exactly the
sort of thing a fully mobile Will would have done and the immobile Will would
have urged her to go and experience surely but, hey ho. I did end up feeling
sorry for the poor guy.
I liked the film mainly because I could relate to Will and totally
understood his stance on where he now was. He opted to die and I admired the
film (and Jojo Moyes' book of course) for sticking to that and not engineering
any miraculous recoveries or an uncharacteristic change of heart on Will’s
part.
To quote the film (and Will) ‘You only get one life. It is
actually your duty to live it as fully as possible’.
Trust me, it’s not as bad as you might think.
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