Apparently the film rights were acquired to
Paula Hawkins’s ’The Girl on the Train’ before it was even published. Obviously
they'd had a premonition that it would be a big hit and they’d have ‘Gone Girl
2’ on their hands. So before they’d realised that its very British setting would
be a key reason why it was taken to its reader’s hearts they’d already exported
it to America.
So out goes the grim commute through the London
suburbs with terraces and semis backing on to the line and in comes upscale New
York with its mansions and lush green gardens. Oddly Rachel even gets a seat
for the whole journey. Everything is completely Americanised bar oddly our lead
character Rachel, a professional drunk, played by the very British Emily Blunt.
Now we've all done the daily commute to
work at some point. The same places, the same faces, the same overheard
conversations, the same overheard music, day after day. It’s enough to drive
you to drink. Well Rachel loses her job but still does her commute for reasons
only she can rationalise. Perhaps rail season tickets are cheaper in New York
than they are in London?
Every day she gazes into the homes that
pass by her window, swigging her vodka from her drinks bottle as she goes, and becomes
particularly obsessed with one couple Scott (Luke Evans) and Megan (Haley
Bennett) who she sees groping each other on their balcony.
Ironically they live only a few doors down
from her old house where her ex-husband Tom (Justin Theroux) is now shacked up
with a newer blonder model in Anna (Rebecca Ferguson). Rachel imagines that both
these women have it all or in Anna’s case both Rachel’s ex and the baby she couldn’t
have. Rachel becomes a professional stalker.
It’s certainly not a feminine drama even if
there is a lot of talk about babies even from Megan, a borderline nymphomaniac
who is so messed up that she starts seeing a therapist Dr Kamal Abdic (Edgar
Ramirez). However once it dawns on Megan that her therapist is a man rather
than just a therapist, she tries to seduce him as well, naturally.
Then Megan goes missing and Rachel finds
herself embroiled in the police investigation as a potential witness too drunk
to know what she’s witnessed.
So it’s a cocktail of real life. You know
infidelity, alcoholism, chauvinism, voyeurism, lust, lies, manipulation, murder...
it’s a checklist of all the things you'd perhaps like to get away with but
can't and don't obviously and of course you're not even allowed to think any of
these things out loud anymore. I thought it was wonderfully entertaining.
Throw in an absurd amount of sex scenes
just for good measure, preferably involving trees, and it’ll be just about
perfect. Oh, they did that as well.
The plot itself is fairly transparent even
if you haven't read the book, well at least I thought it was, because the
murderer looks like a murderer from the moment you first see them on screen.
The acting isn’t too shabby especially from
Blunt. Rachel looks dreadful most of the time, half dead mostly, which is a
credit to Blunt who can do this look in her sleep. I would recommend it but it’s
probably best watched Rachel style with a drink in hand.