Notes On A Scandal

Based on Zoe Heller's novel 'Notes On A Scandal' is the tale of two seemingly sophisticated women who's lives become entwined but then dramatically unravel, proving themselves to be anything but sophisticated.


Judi Dench plays Barbara Covett (note the name), who is a well respected schoolmarm but also a lonely spinster. Cate Blanchett plays Sheba Hart, the raw new totty in the art room. Sheba proves herself not to just be inexperienced as a teacher but also in life. She is a teacher, a wife, and a mother, who is out of her depth in all three and for someone her age, thirty-something, she is astonishingly naïve. She is just begging for someone to take her under their wing. Barbara is eager to oblige and quickly moves into the flighty newcomers life.


Dench voice-overs the film as her character scribbles in her diary, adds gold stars, and makes bitter observations about the world. The film moves at a fast pace and doesn't keep you hanging around while it builds the scene. Sheba starts giving a young pupil after school art tuition but he quickly makes it obvious to her that he can think of better things to do with her after hours. Her attempts to repel him are not convincing and he senses that Ms Hart could be putty in his hands. Of this, he is not wrong.


She seems cast under his spell, caught like a rabbit-in-the-headlights and falls for the youthful passion that he dangles before her. Although even he must have been surprised at just how free and easy she is. So they embark on a tawdry and adulterous affair, generally carried out down by the railway line. Yes I know, here we go again, another film about married women who can’t keep their loins in check.




When they upgrade from the railway line to the art room, Barbara stumbles upon what's going down, but promises not to tell for the sake of all, as long as she ends the relationship. Sheba though is weak and fails to give up her toy boy. She finds herself addicted and simply can't stop herself digging a deeper hole to throw herself in to.

Meanwhile Barbara installs herself as a regular feature in Sheba's life and family, who consist of her much older husband, played by the excellent Bill Nighy, who left his wife and children for the younger Sheba and her two children who are of similar ages to her lover, a son with Down's syndrome and a daughter with her own love troubles.

Barbara herself has skeletons in the closet and they slowly come out to play. We come to understand that Barbara has designs on Sheba, after another teacher spurned her and fled her job the previous year. Both characters at times get your sympathy but equally you start to feel pissed off with them but before you get too one-way or the other, something else happens and the story moves on.

When Sheba is torn impossibly between her family and her friendship with Barbara, she chooses her family. So Barbara betrays her secret to the school and everything in Sheba's life falls spectacularly apart as the police and the media get involved.


It's a gripping, intelligent film with a raw nastiness to it and which has so many layers to it. You simply hang on every scene and every word. It's a film about predatory behaviour but who exactly is preying upon whom. It's short but packs more into it’s running time than most films of twice the length. Excellent script by Patrick Marber of Closer fame. Another great English film with superb performances all round.