Sunday, 21 September 2008

La Vita è Bella (Life Is Beautiful) (1997)

Made in 1997 in Italian by Roberto Benigni, who also wrote, directed and starred in it. I believe his real life wife played his screen wife too.

Its 1930s Italy and carefree Guido is careering downhill in a car without brakes, through a village where he is mistaken for the King. This is the first of many comical scenes as he falls for a schoolteacher called Dora, who 'fell out of the sky'. He calls her 'Princess' and despite the fact that she is engaged to another guy, Guido actively pursues her, popping up all over the place where she is. Including one scene where he pretends to be a school inspector and ends up giving an impromptu speech on Arian superiority, a hint to what is to come later in the film. Guido is Jewish.

Swayed by his persistence, his humour and the fact her fiancé is a jerk, she gives in and he gets his girl, whisking her away on a green horse. Green because they painted over the anti-Jewish slogans that were daubed on it. Guido and Dora disappear into what appears to be a greenhouse and when they emerge, five years have passed. They are now married and have a child.



Guido opens the bookstore he's always dreamed of and they live a happy life, until the occupation of Italy by the German army. Then the film gets more serious. Guido is sent to a concentration camp along with his son, Giosue. Dora, who isn't Jewish, drives to the train station and demands to be put on the same train.

Once at the camp, the men and women are separated and a child is usually immediately disposed of but Giosué refuses to take a shower, and unknowingly escapes being gassed. His elderly uncle isn't so lucky. Guido manages to hide Giosué, and to help his son survive the horrors of the camp, he tells him that it's all an elaborate game and that the prize for collecting 1000 points is a tank.

Guido's quick mind saves Giosué from the truth when a German officer requires a translator. Despite not speaking a word of German, Guido volunteers and makes up the words to back up his claim that it's all a game, while cleverly adding that Giosué cannot cry, ask for his mother or say he's hungry.



As the end of the war approaches, time runs out for Guido, he hides
Giosué for the last time, telling him that everyone is looking for him. Guido jeopardises his own survival while he attempts to find Dora and he is taken away and shot.

The next morning, the Americans arrive at the now almost deserted camp. Giosué emerges from hiding just as a tank pulls around the corner. He is thrilled to have won the game. Hitching a ride on the tank, he finds, and is reunited with his mother.

Complete silence after the film and everyone obeys the unwritten art house cinema rule and stay for all the credits. Even I felt a bit choked at the end.

An excellent film, that controversially mixes humour with the Holocaust. It won Academy Awards for Best Actor, Best Foreign Film and Best Dramatic Score. Despite that, it's been criticised for not giving a true depiction of a concentration camp. Which is true, it doesn't dwell on the horrors of the camp and the camp security is at times laughably slack, but nor does it totally ignore these issues.

The film is primarily about a man's relationship with his family and in particular, his son. It shows the great lengths and the sacrifices, in the end the ultimate sacrifice, that a desperate father will go to, to protect his son.

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