Scarlett Johansson is feeling a bit alien in Glasgow, which
is understandable. We all do. Glasgow, although a place I like, is a bit
like that. The thing is in this film by Jonathan Glazer from a novel by Michel
Faber she really is an alien.
Johansson (as Laura the alien) roams the streets of the
strange, unfamiliar world that is Glasgow in a white van. Occasionally she
stops and asks men who are walking home alone (oh the irony) for directions,
before offering to give them a lift. Once in the van she engages them in
conversation and flirts with them before luring them back to her run down abode
where, entranced by Johansson, they strip off their clothes while following her disrobing figure.
Yet they never reach their goal, her, as they disappear
beneath her bedroom floor, where they remain trapped until they get their
innards sucked out. Which are then presumably sent back to her home planet. Our
alien is completely remorseless about her task and shows no empathy for her
victims, who think it is their lucky day and they're going to get to shag Scarlett
Johansson.
Later, out on the Scottish coast whilst in the process of
seducing a surfer, she observes a dog
adrift in the sea, a woman getting in trouble trying to rescue it, her husband
getting in trouble trying to rescue her and the surfer getting in trouble
trying to save anyone he can.
She attempts to save her target, the surfer, yet leaves the others and
also ignores their abandoned young child who is left screaming on the beach, left to swallowed by the incoming tide. Our alien has no understanding of the situation.
In time though, she does seem to develop a morality about her
actions. After seducing a disfigured man, she lets him escape and then attempts
to escape herself. Running from the purpose she was sent here for and from the
men on motorbikes who watch over her.
Whilst on the run in the countryside, she is befriended by a
stranger. He still wants to get physical with her, of course, as does a worker in the
forest, although in a more forceful manner. Suddenly the hunter has become the hunted.
It’s a bit off the wall at times and maybe having read the
novel would have helped but I haven't. Yet I was just happy to go with it and
embrace the fact that this alien girl (aren't they all) sinks her naked male
suitors into the alien equivalent of a shagpile carpet.
Johansson is superb and brave to take on this type of role. She
manages to exude a total lack of emotion throughout in such a way that,
unbelievably, you kind of sympathise with her.
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