Unsane

Unsane is a thriller come horror that was apparently all shot on an iPhone.

Sawyer Valentini (Claire Foy) is a young woman attempting to rebuild her life, having moved to a new city to escape a stalker. However, she is struggling with that rebuilding job, finding herself unable to form relationships and seemingly constantly on the edge of a nervous breakdown.

She then inadvertently tips herself over the edge when at a counselling session she confesses that she sometimes has suicidal thoughts. The therapist promptly asks her to sign a document agree ing to more sessions but then, before the ink is dry, a man in a white coat leads her away to a locked room.

Unfortunately protesting that she’s been locked up by mistake just makes it look like she’s in denial. Then when she’s assaulted by another patient and fights back, it just reinforces the impression that she needs to be locked up and drugged up. Then when she gets side effects from the drugs, this is just another reason to keep her in.

With help from fellow inmate Nate Hoffman (Jay Pharoah), she manages to get word to her mother (Amy Irving) but she just comes up against the immoveable bureaucracy of the hospital. This all appears to be a dig at the American healthcare system, where hospitals can be paid handsomely through a patient’s private medical insurance.

Sawyer is convinced that one of the staff (Joshua Leonard) is her old stalker and who is therefore still stalking her. But do we believe her? Is Sawyer really sane or is she actually ill? The question of whether or not Sawyer is a reliable witness to her own sanity is the hook here.

Sadly the film then starts to go insane itself as it attempts to shovel something\anything into the large plot holes that have appeared. We can buy the incarceration idea for a while but by now basic logic says somebody would have got her out. The film therefore has to keep inventing twists why this isn’t the case and this just undermines the good story they had put together so far.

Luckily Foy’s performance keeps things watchable and the film is good but probably could have been a lot better. Nice idea, shame about the execution.

Humpday

‘Humpday’ is about a guy called Ben (Mark Duplass), who has settled down into what he describes as the ‘white picket fence’ lifestyle of marriage with his attractive young wife Anna (Alycia Delmore). Perhaps the only ingredient they are missing is a child but they’re working on that.

What they probably didn’t need was for Ben’s old college buddy Andrew (Joshua Leonard) to show up, out of the blue, on their doorstep in the middle of the night. Andrew has been away travelling, he sees himself as a bit of a ‘Kerouac’, and consequently it's been a long time since they’ve seen each other. They immediately drop back into a ‘two lads together’ type situation.

The following night, Andrew ends up at a party thrown by a girl he just happened to meet and he invites Ben over to join him. After drinking too much alcohol and smoking too much dope, they end up agreeing to make a short film for ‘HumpFest’, the local amateur pornography festival. Their idea is to produce something truly unique, a film of two straight guys having gay sex and they propose to star in it themselves. The idea being that it would not be gay, it would be beyond gay and it would not porn, it would be art...

Ben gets home to find that his night has gotten in the way of the baby making process much to Anna’s frustration. His next problem is how he’s going to square his new acting career with her. This is the best part of the film, as Ben spectacularly fails to tell Anna his plans and then Andrew spills the beans because he assumes Ben has told her. Problem is from here, the film goes downhill.

In the cold light of day, both Andrew and Ben regret what they have agreed to but neither will back down. Both feel they have something to prove. Ben that he’s not as ‘white picket fence’ as Andrew thinks he is and Andrew that perhaps he’s no ‘Kerouac’.

The ‘porn shoot’ in a hotel room is long and drawn out, we spend half an hour or so with the guys in that room, when a few minutes would have done because in the end, they don’t go through with it. They quickly realise their idea is going nowhere, the audience has already realised this fact but the director just didn’t seem to want to give it up and milked it for all it was worth. You end up just willing it all to end.



The film comes to a believable conclusion but takes an inordinate amount of time getting there. It’s also immensely unsatisfying when it ends there. I for one would have liked to have seen Anna’s reaction to what they did or rather didn’t do, and would she have believed them?