Once Upon a Time... in Hollywood

Set in 1969, Quentin Tarantino's new film is two stories ran in parallel. The first is total fiction and concerns Rick Dalton (Leonardo DiCaprio), a TV cowboy in the long running series ‘Bounty Law’.

.

Rick is now a fading star as Hollywood moves on to newer and younger things. So Rick is attempting to reinvent himself but is only being offered bit parts as a bad guy. On the downward curve alongside him is his stunt man Cliff Booth (Brad Pitt). They are drinking buddies but while Rick lives in luxury in the Hollywood hills, Cliff lives in a trailer with his dog, Brandy. 

Meanwhile, living next door to Rick on Cielo Drive is Roman Polanski (Rafal Zawierucha) with his wife Sharon Tate (Margot Robbie). Cue the second story, a factual one that is about to get the Tarantino treatment.

The film is set in the months leading up the real life murder of the pregnant Tate and all the other occupants of the house on Cielo Drive at that time. Tarantino slow burns through that period filling in Rick and Cliff’s story and dropping in casual encounters with Charles Manson (Damon Herriman) and some of his ‘Family’ members. Cliff even visits Spahn Ranch to see an old acquaintance George Spahn (Bruce Dern) where the Family are now holed up.

Where is the film going? Of course with Tarantino you can never be sure until you get there. He could have recreated the murders. He certainly wouldn't have baulked at that. In fact you find yourself waiting for tragedy to strike knowing that with Tarantino they would have been in equal parts brilliant and unwatchable but he didn't. Thankfully he didn't. The title of the film implies this is a fairy tale, where endings can be anything you want them to be, so all bets are off.

Overall it’s a long, but mesmerizing, film with all the usual immaculate detail along with an incredible soundtrack (naturally), great cinematography, great acting especially DiCaprio and Pitt among plenty of famous names both as actors and as characters played by other actors. Typically there’s plenty of drugs and violence, and a stirring of controversy in casting Cliff as a wife killer among other things in the film to get people wound up but most of all Tarantino does what he does best. He tells a great story.

Some Quentin Tarantino movies of late have disappointed, this one doesn’t. This is right up there with his best. He might as well retire now.

Mary Queen Of Scots

Mary Stuart (Saoirse Ronan) became Queen of Scotland when just six days old following the death of her father James V Of Scotland. While Scotland was ruled by Regents until she became an adult, she was effectively married off at the age of five to the future King of France, who was himself only four. She subsequently moved to France for thirteen years. The last two as Queen in France to the then King Francis II, who then died on her.

So in 1561, at the age of eighteen, Mary moved back to Scotland to claim the throne in her own country. She was also next in line to the throne in England, unless her cousin Elizabeth I (Margot Robbie) produces or names an heir.

Her reappearance creates alarm on both sides of the border. As a devout Catholic, she was regarded with suspicion by her mainly Protestant subjects. Not even her half-brother James Murray (James McArdle), who is the stand-in monarch, trusts her. While Protestant cleric John Knox (David Tennant) can't even abide a woman being in charge.

Then there’s Elizabeth, ravaged by the pox, who is completely unhappy at having a younger, much better looking queen eyeing up her throne. Yet Elizabeth sees no other viable option and the two come to an agreement of sorts in a dramatic meeting between the two that apparently in real life never happened. Unfortunately hardly anyone else likes this idea and the plots against her mount.

Mary seems naive, she chooses her allies and her husbands badly. Her second husband, Lord Darnley (Jack Lowden) is a severe disappointment, who ends up murdered but with whom she had a son. Her third, the Earl of Bothwell (Martin Compston), is a ‘nice’ chap who is not only the suspected murderer but who abducts her and also rapes her as a sort of marriage proposal.

None of this goes down well with people and she is forced to abdicate the throne to her one year old son and go into hiding. This ends with her imprisoned for eighteen years before finally being beheaded on the orders of her cousin. 

In The Favourite, we saw two women vying for the affections of Queen Anne while here, we see two women vying against the men and for the throne of England. It’s interesting and complex stuff but in the end probably not that great a film.

I, Tonya

I, Tonya is a mockumentary type film based on the true story of US figure skater Tonya Harding.

In 1994 Harding was convicted for her part in the attack on her bitter rival Nancy Kerrigan. She, at the very least, attempted to cover up the attack which was carried out by her ex-husband Jeff and some hired thugs. This film however paints Harding as the victim, rather than Kerrigan who barely gets a mention, let alone any sympathy.

In its defence the film doesn’t pretend to be accurate, it is the account of those involved on Harding’s side. The film instead shows Harding (Margot Robbie) as a victim of life, fighting her way to the top of the figure skating world against the odds and despite the 'help' of her chain-smoking mother, LaVona (Allison Janney) who believes in the motivational power of abuse. 

 

She gets slapped around all the time, first by her mother and then by husband (Sebastian Stan). However Harding’s aggressively style and technical brilliance get results on the rink but although her approach is tolerated it is not loved. She feels she is constantly discriminated against by the judges because she came from the wrong side of the tracks and couldn’t afford a smart dress to skate in.

With her likely to be outshone by Kerrigan at the 1994 Olympics in Lillehammer, Jeff and his drinking buddy Shawn (Paul Walter Hauser) make plans to intimidate her rival.

Though the men ultimately get prison time for what they did, Tonya’s life ban from skating to her was possibly worse.

It’s a decent film but in a slightly tiresome style. Margot Robbie is excellent in a role that I don’t think really suits her and perhaps because of that it is Allison Janney who is getting all the plaudits.

The Big Short

The Big Short is based on real people and true events surrounding the financial crisis of 2007/8. It is based on the book by financial journalist Michael Lewis.

It is about collateralised debt obligations, sub-prime mortgages, credit default swaps, bundling... Warning some of the financial jargon may go well over your head.

Not to worry, the producers have assumed that the audience will be blissfully ignorant of such matters and have enlisted the likes of Margot Robbie (in the bath) and a celebrity chef to help explain things in some of the frequent off the wall moments in the film. 

The film itself focuses on four fringe Wall Street players starting with the eccentric financial analyst Michael Burry (Christian Bale). Burry saw what nobody else wanted to see, that the housing market was based on an increasing number of dodgy loans to people who should never have been considered in the first place. He saw it as inevitable that the market was going to collapse but of course no one believed him.

Burry had complete autonomy of the investment fund he controlled and so he created a commodity for his clients betting against these mortgages. When he went to the banks to explain what he wanted to do they simply laughed at him and willingly sold him all the ‘insurance’ he wanted. 

Word of Burry's madness quickly spread and trader Jarred Bennett (Ryan Gosling) gets in on the act. He sells the idea to a group led by a cynical and depressed banker called Mark Baum (Steve Carell). Baum is the boss of a fund under the umbrella of Morgan Stanley, now he is betting against the hand that feeds him.

Finally, there's Charlie Geller (John Magaro) and Jamie Shipley (Finn Wittrock), a couple of rookies trying to break into the finance industry. They team up with disaffected former banker Brad Rickert (Brad Pitt) to bet against the investments. 

What they all ultimately find is that the investment houses ignore the coming crisis and in fact attempt to hide it because they were all making too much money to want it to stop. The film goes on to suggest that the corruption didn’t stop there and extended to the agencies who oversee the markets and possibly beyond.

The film succeeds in making a story about the financial crisis entertaining and that’s no mean feat. Although it could be viewed as a partner piece to 2011's Margin Call which achieved the same feat and is also well worth seeing.

The Big Short is a smart, clever film with some great acting performances. It could even be the best of this year and is well worthy of its Oscar nominations.

Suite Française

Suite Française is an adaptation of an incomplete novel by Ukrainian-Jew Irène Némirovsky who died in Auschwitz in 1942.

France has fallen to the Nazis and the whole country is in disarray. There has been a mass exodus from Paris and in Bussy the refugees arrive in their masses. These are soon followed by a regiment of German soldiers who take control, bark orders, impose 'German time' and billet themselves with the locals.

Madame Angellier (Kristin Scott Thomas), a landlord and part-time extortionist (from her tenants) is horrified to have the jackbooted officer Bruno von Falk (Matthias Schoenaerts) as an enforced house guest. Her daughter-in-law Lucile (Michelle Williams) doesn’t really know what to think except what Madame Angellier tells her to.

Lucile is a quiet and repressed young girl with a peculiar absence of anything substantial to her character. Yes I know there's a war on but FFS smile girl. Her husband is a prisoner of war in Germany, not that she’s really that bothered where he is. They’re not close.

Generally the villagers’ feelings towards their invaders are mixed. The local women, starved of male scenery, drool at the strapping soldiers in their midst and many like Celine (Margot Robbie) have no qualms about sleeping with the enemy. For others it is a chance to settle old scores and for the local Viscount (Lambert Wilson) it’s about organising picnics with their conquerors. Farmhand Benoît Labarie (Sam Riley) thinks his billeted officer Kurt Bonnet (Tom Schilling) wants to get his hands on his wife (Ruth Wilson), so he kills him.

Lucille meanwhile would just really really like to play the piano but it’s banned until her bloody husband comes home. When their German lodger unlocks Madame Angellier’s piano and plays poignant melodies on it he seems to have also stumbled across the key to unlocking the dreary Lucile as well. Her dreariness dissolves significantly when she realises that he’s a music lover too, that is when he isn’t carrying out executions in the town’s square. Suddenly her character is transformed and she briefly becomes a passionate minx.

All this happens with no language problems at all. The multilingual Germans speak real German to each other and then French (presumably, voiced in English) to everyone else. Impressive.

It’s mainly a love story but not a very riveting one. Boy invades girl’s village. Boy isn't as horrid as girl first thought. Girl falls in love with boy.

War wise, the opening scenes capture well the chaos that followed the Nazi invasion but the film is only superficially about the struggle to survive the German occupation. Many of the scenes just simply don't ring true as to how things would have actually happened in an occupied town.