This is the story of the final
days of Hollywood actress Gloria Grahame (Annette Bening) and also her
relationship with Peter Turner (Jamie Bell), a young Liverpudlian actor half
her age whom she met in the late 1970’s when they, incredibly, shared the same
north London boarding house.
By this point, Oscar winner Grahame’s time in the limelight had seriously
faded but she continued to work where she could and spent a lot of time performing
on the stage in the UK. Turner and the hugely insecure Grahame, keen herself to
feel young again, quickly became lovers. For a while at least, then she seemed to forget about him.
Until 1981 that is when, already ill, she collapsed one
night and called him of the blue. She asked if she could stay over with him and his
family in Liverpool. Where she hoped to spend time recuperating but, as it turns out, these
were to be her final days.
Despite being exasperated that she won’t seek treatment,
Turner along with his mother (Julie Walters) and father (Kenneth
Cranham), looks after her. The film
details his memories as he looks back on their brief transatlantic romance.
It does rather
morosely becomes one long death scene but it is rather refreshing that
her final decline happens outside of the public glare. This was a time when famous
people could blend into every day life and not be recognised. It was a time before not only YouTube but before even DVDs. In fact VHS had only just been invented.
When the landlord
of Turner's local pub does recognise his superstar girlfriend, it is a one off and nobody
alerts the world via the yet to be invented Twitter.
Finally her son, having been told about her illness, travels
over to take her back home where she dies just a few hours after arriving in
America aged just 57.
It's an excellent film for many reasons. Its story, its message, its time, its acting. Bening is brilliant and ably supported by Bell, with whom she shows great chemistry. There is also strong performances from his Cranham, Walters and Stephen Graham as Turner's brother.
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