Instead it was left to Paul’s mother Gail Harris (Michelle
Williams), ex-wife of John Paul Getty Jr (Andrew Buchan), to do all the battling
and negotiating for her son’s release. She had gained custody of all Getty’s
grandchildren when they divorced in exchange for not taking any of Getty’s precious
money as alimony. However, this means that she has no money herself to pay the
ransom.
Getty asks Fletcher Chase (Mark Wahlberg), an employee of his
and part time thug, to somehow get Paul released, cheaply.
Weeks go by without anything happening, aside from a burnt body
turning up in a river which they initially think it is Paul but it isn’t. It’s
one of the kidnappers who was killed by his colleagues after accidentally showing
his face to Paul.
The kidnappers then lose patience and sell Paul on to a different
gang who reduce the ransom demand to $4 million which causes Getty Snr to finally agrees
to contribute something but only $1 million. Which is the maximum amount that
he can claim as tax deductible and that is on the condition that Gail gives up
custody of all the children.
However with the random still $3 million short, the kidnappers cut off one of Paul’s ears. Only when this turns up in the post
does Getty grudgingly, under pressure from Chase, agree to pay the full amount.
Gail and Chase take the money to Italy and attempt an
exchange for Paul, but he has legged it as soon as he was freed. Then when the
captors realize that Chase has also led the police to them, they too are
hunting Paul. This time to kill him.
There is a happy ending of course. Paul is saved and the
elder Getty dies leaves his wealth to his kids, not that any of it is in cash. It
has all been invested in paintings, sculptures and the like. Most of which are
now in the Getty Museum.
Rather impressively many scenes were quickly and cleverly
reshot with Plummer after Kevin Spacey was removed from the role by the
director Ridley Scott but only after shooting was complete. It is a credit to Scott and
to Plummer that you really cannot tell. Plummer in fact is excellent throughout.
Meanwhile Wahlberg is an odd choice for his role and in a film where everyone else is pretending it really is 1973 the
rather wooden Wahlberg seems to be playing himself. 2018 style.
It’s an informative film but one that seems to have taken
liberties for a more exciting plot and is quite unbelievable in places. Decent watch though.
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