Frustrated with the police, who have made no progress on the
case, Mildred rents three unused billboards on the edge of town and puts up
billboards which read ‘Raped While Dying’, ‘And Still No Arrests?’, and ‘How
Come, Chief Willoughby?’.
This has the desired effect, puts the wind up the police and
attracts the attention of the local media. Yes while police chief Bill Willoughby
(Woody Harrelson) manages to retain his cool, his inept and racist deputy Jason
Dixon (Sam Rockwell) takes offence.
He takes his ire out on Red Welby (Caleb Landry Jones), the
businessman who rented Mildred the billboards, and arrests her friend Denise (Amanda Warren) on
a trumped up charge.
The billboards also upset the townspeople and with Willoughby
openly suffering from terminal cancer they too are less than happy with Mildred.
She is hauled before the police herself when she strikes out
in frustration at her dentist. Then after interviewing her, Willoughby, another one who has a partner almost half his age, goes for a final romantic fling with his wife Anne (Abbie Cornish) and then kills himself before his cancer does the job. Although not before first paying for
another month’s rental on the billboards.
When the billboards are destroyed by arson, Mildred
retaliates by chucking Molotov cocktails at the police station and from an
impressive distance. Unexpectedly Dixon is inside, rethinking his attitude, career
and life after being left a letter by Willoughby and fired by Willoughby's
replacement. He ends up sharing a hospital room with Red who is recovering from
the injuries Dixon inflicted on him.
Suddenly becoming the nice guy Dixon reckons he has a lead
on who killed Angela but when it it turns out the man has an alibi, Mildred and
Dixon together conclude that the man must be guilty of some other attack and
set together to kill him anyway...
It is a wonderfully complex film in which there is an awful
lot going on. It is full of action, (black) comedy, poignancy and rage (plenty
of rage). It’s very Coen-ish and incidentally stars Coen favourite McDormand,
who brilliantly plays a woman weather beaten and worn down by life. It is her
best performance since Fargo.
Probably the film of the year, already.
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