1917

It is 1917 in the British trenches and the German army appear to be in withdrawal but aerial reconnaissance has revealed that they are in fact lying in wait for a British attack. Two British soldiers, Tom Blake (Dean-Charles Chapman) and William Schofield (George MacKay) are called upon by General Erinmore (Colin Firth) to carry a message by hand, because field telephone lines have been cut, to Colonel Mackenzie (Benedict Cumberbatch) of the Devonshire Regiment. The message will instruct Mackenzie to call off the scheduled attack because it would jeopardise the lives of 1,600 men. Blake has been chosen because his brother Joseph (Richard Madden) is one of these men.

With time short, the men leave the trenches and cross No Man’s Land which is a sea of bodies, dismembered limbs and dead horses until they reach the abandoned German trenches, which they find are booby-trapped. A tripwire is triggered by a rat and the explosion nearly kills Schofield but Blake rescues him.

They then reach at an abandoned farmhouse from where they witness a German plane being shot down. They drag the injured pilot from the plane before it explores but the ungrateful pilot stabs Blake. Schofield shoots the pilot but can't save Blake and has to carry on alone.

After hitching a lift with another British convoy, Schofield then has to cross a bombed out canal bridge into the ruins of Écoust-Saint-Mein where he comes under fire from a German sniper. In the ensuing fight the sniper is killed and Schofield is knocked out cold. When he regains consciousness he heads off through the bombed-out French town under heavy fire.

It is rather unbelievable that he manages to dodge so many bullets before stumbling into a basement where he has time for a social call with a French woman (Claire Duburcq) and her child while I am literally screaming at him that he has a battalion to save.

Eventually continuing on, Schofield is again repeatedly shot out before escaping by jumping into a river where he amazingly avoids drowning despite being swept over a waterfall. Suddenly it's all gone a bit Indiana Jones.

The river spit him out on to a riverbank which by some amazing coincidence is where the Devonshire Regiment are having a singalong before heading to battle. Schofield manages to creep up on the Regiment without anyone noticing as they seem to have neglected to post any guards.

In one sense director Sam Mendes has made an epic film that looks great, is really dramatic and that puts the audience right in the middle of the action. It would also have been nail-biting stuff if you didn’t know for sure that Schofield would make it to Blake’s brother once Blake himself had met a grisly end. The only other problem really is that I just don't buy the plot at any price.

Twelve Years A Slave

It’s 1841 and Solomon Northop (Chiwetel Ejiofor) is a free black man living with his family in Saratoga, New York. He is portrayed as the model of upmarket respectability, so it’s quite baffling that he suddenly accepts an offer to do a short our as fiddler with two white men he’s just met, without even seeming to tell his wife where he's going.

This takes him to Washington, where one night whilst socialising with his new colleagues, he is suddenly taken ill and wakes up in chains.

He has been sold to slave traders, renamed as Platt and is on his way to Louisiana where he will spend the next twelve years working for different owners. All of this happens pretty much within the first fifteen minutes which is a shame. The director seems over keen to get us to the beatings and whippings that are to come, of which there are many.

Once in Louisiana you only need to know one thing. That all black slaves are good folk and all the white owners are evil people, end of story. This goes for the woman as well, Edwin Epps (Michael Fassbender) is a nasty chap but his missus (Sarah Paulson) is arguably worse.

Solomon’s first owner Ford (Benedict Cumberbatch) does show compassion for a while but even this doesn’t last. 

Of course there has to be one token good white guy and Brad Pitt (naturally) saves the day by getting word back to Solomon's family and subsequently in 1853, Solomon is rescued. The mechanics of this are also glossed over.

The long bit in the middle, the slavery bit, goes on forever and is nothing we haven’t seen before. We all know that slavery was a horrible dark chapter in American history but all this has been done to death before. The uniqueness of Solomon's situation, his kidnapping and later release are mostly absent here.

At least he got out and got to write a book about his ‘experience’, most of the rest of the slaves were in it for keeps. Perhaps this is why I don’t feel anything much for him throughout the film.

I was hoping for more from the film.