Showing posts with label prostitute. Show all posts
Showing posts with label prostitute. Show all posts

Saturday, 7 December 2013

Jeune et Jolie




Jeune et Jolie (Young and Beautiful) is divided into four parts, one for every season. In the first part, summer, we are introduced to Isabelle (Marine Vacth), a seemingly insular teenage girl. 

On the eve of her seventeenth birthday and whilst on a family holiday, she goes out determined to sate her curiosity about sex and does so, on the beach, with a German lad.

She gets the job done in the most matter-of-factly way you can imagine and then moves on. She is clearly underwhelmed by the whole experience but this doesn’t seem to dispel her curiosity.

When the season changes into autumn, we learn that after being offered some extra money pocket by an older man, she not only took him up on his offer but has now set herself up with her own website et al and is now moonlighting as a fully fledged internet era call girl called Lea. I'd love to know how she took those fancy website photos of herself without help.

Now whilst still living under her parents' roof and in between attending lectures at college, she is meeting clients in hotel rooms and relieving them of €300, €400, €500 at a time, as often as she can.

All the men seem to know she's lying about her age, purporting to be 20 years old, and she goes about her new hobby with the same indifference that she did when handing her virginity to the German lad but her phone keeps pinging with a flood of messages, so it’s clearly very marketable. Which is probably why the price keeps going up.

Then in winter everything goes wrong. Amongst her plethora of ‘Johns’, there is one man who actually seems to care a bit about her as a person. 

Unfortunately she proves too much for his heart which expires when he uncharacteristically asks her to get on top of him. Perhaps that was the way he wanted to go. 


The security cameras at the hotel have her recorded, so soon Isabelle's double life comes to the attention of the police, and ultimately her parents. Her mother, of course, isn’t terribly impressed and struggles to understand her daughter's choice of part time job. So she sends her for therapy. 


In the spring, Isabelle is trying to pick up her life as a student and to have a relationship but is finding it difficult to erase the past.

The film doesn't judge Isabelle nor attempt to explain her actions. She didn’t need the money but perhaps she wanted simply to be desired or perhaps she was just bored and wanted to do something a bit risqué. A better choice surely than drugs, alcohol or going down her mother's route of having an affair.

Rest assured, Isabelle remains a conundrum aka a teenager right to the end.

Saturday, 5 June 2010

The Killer Inside Me

‘The Killer Inside Me’ is an arty film noir set in 1950's Texas. Casey Affleck seems to reprise parts of his role as the coward Robert Ford from ‘The Assassination of Jesse James...’ even down to having the same surname. His character, Deputy Lou Ford, seems a polite well mannered sort of chap but oh, how appearances can be deceptive. When the son of one of the town's top business men is discovered in the arms of a prostitute (Jessica Alba), Ford is given the simple task of running her out of town.



When she won’t go easily and has the audacity to strike out at him, this arouses more than anger in him and his reaction, to return the blows with interest, certainly does plenty for her too. After they exchange increasingly forceful blows, they fall into bed.



Then despite Ford having the delectable Amy (Kate Hudson) as his girlfriend, they embark on an affair, a sadomasochistic affair at that. One where the Alba rear end gets a regular tanning and some more, as they switch from sex to violence and back at a moment’s notice, redefining ‘liking it rough’, as she unearths his inner psychopath.



Unfortunately some manner of the plot and particularly the occasionally mumbled dialogue makes it hard to follow at times. We gets flashbacks about what happened to him as a child but was he abused, or was he the abuser?



The pair of them team up to blackmail the business man, threatening to expose his son. Ford however double crosses her, which brings us to the real talking point of the film, when the violence turns nasty.



The scene where Alba gets beaten to pulp is probably not going to be everyone's cup of tea. Shocking? Yes. Gratuitous? Maybe. Necessary? Probably. I don’t think a Disney version would have worked.

Then there’s the way he does it, with his fists, while telling her how much he loves her. I love you, thump, I love you, thump thump. Nice. Not.

Then he shoots the business man's son and presses the gun into her hand, hoping to make the deaths appear to be a lovers' tiff or perhaps a prostitution transaction gone wrong. Yet quite how she got to land a prefect shot on him with a broken neck and only one eye... I’m not sure.

The murder pricks the attention of the District Attorney, who seems to have spotted the same glaring holes in the staged double murder. Yet he doesn’t seem to do anything about it. Meanwhile inside Ford’s twisted mind he doesn't seem to believe he`s a bad guy at all. He tries to build an alibi and to frame other people for the murders. However, when his plans don’t go quite as well as he hoped, he’s forced to commit more crimes to cover his trail, including using his boxing skills again, this time fatally on his girlfriend.



Director Michael Winterbottom tries to paint a picture of a seriously disturbed human being. Maybe, he doesn't go far enough because I don’t think he quite succeeds. It’s a fascinating but slightly meandering film that’s not helped by Affleck’s deliberately vague portrayal of Ford and the ending’s a bit weird too.

Still, I thoroughly enjoyed it but needed a stiff drink to get over it.